Alternate Title: The Way Back. Cast: Joan Crawford (Millicent Wetherby), Cliff Robertson (Burt Hanson), Vera Miles (Virginia), Lorne Greene (Hanson). Celeste Soulange), Anthony Steel (Charles Remley), Kurt Kasznar (Wagner), Lon Chaney, Jr. (One Arm), Abraham Sofaer (Timaui). The Angry Hills (1959) Producer: Raymond Stross. The Last Sunset (1961, Brynaprod S.A.) Producers: Eugene Frenke and Edward Lewis. Filmed on location in Los Angeles and at M.G.M. Junior Colleges & Technical Institutes, Junior High & Middle Schools. From there he progressed through the ranks of assistant directors and graduated to directing television in the early 1950s. by Henry Farrell, adapted by [uncredited] Harry Essex. Produced by Harold Hecht. Joe (1946, United Artists) Directed by William Wellman. 9 (June, 1958), pages 7, 35 [On the difficulties of studio work in the United States and freelance work overseas], _____, “Hollywood…Still an Empty Tomb.” Cinema, Volume 1, No. Director of Photography: Joseph Biroc (DeLuxe Color; 1.85:1). Completed: September 12, 1962. Screenplay: James Poe, based on the play “Fragile Fox” by Norman Brooks. Air Date: October 1, 1953. An essay that examines the confluence of social, political, and economic events that allowed the financing and production of such an ambivalent anti-war film in Eisenhower America. 1973: Silver Medal awarded by Cinémathèque Française in conjunction with a retrospective of Aldrich’s work. 23 (Winter, 1976-1977), pages 50-64 [Interview], Silver, Alain, “Mr. Distribution: United Artists. Aldrich’s visualization also transcends the conventions of genre. Click here to make a donation. MPAA Rating: R [Certificate X in Great Britain]. Four Star Playhouse (Four Star Productions/Official Films for CBS-TV). Hush, Hush.Sweet Charlotte (Review) Filmed on location in Northern Mexico beginning September 21, 1956. For none is it easily accomplished. Directed by Ted Tetzlaff. Safari at Sea Producer: Richard Goldstone. A quick reading might be that those who died did so meaningfully, for a reconstructive purpose. Air Date: October 22, 1953. Director of Photography: Joseph Biroc (Technicolor; 1.85:1). Attack!, Ten Seconds to Hell, The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, Ulzana’s Raid (1972), The Longest Yard (1974), and Twilight’s Last Gleaming (1977), adventure films, war films, and Westerns – all isolate a group of men in a specific, self-contained and threatening universe. Director of Photography: Manuel Gomez Urquiza. In The Angry Hills, a crane down to eye level from an opening position behind a similar fan diminishes the object’s importance as a distraction and suggests an unwinding, an impending détente rather than a knotting up of plot events. The White Tower (1950, R.K.O.) London: Angus and Robertson Ltd., 1969. Music: Frank DeVol. Cast: Kim Novak (Lylah Clare/Elsa Brinkmann/Elsa Campbell), Peter Finch (Lewis Zarkan/Louis Flack), Ernest Borgnine (Barney Sheean), Milton Selzer (Bart Langner), Rosella Falk (Rosella), Gabriele Tinti (Paolo). Silver Bear Award for Best Direction from the 6th Berlin Film Festival. In a subjective manner, the characters sometimes “choose” to situate themselves within the frame. Teleplay: Blake Edwards. The same reiteration of the “male unit” takes place in the end credits of The Choirboys. Cast: Edward G. Robinson (John “Hans” Lobert), Vera-Ellen (Christy), Jeff Richards (Abraham Polachuk), Richard Jaeckel (Bobby Bronson), William Campbell (Julie Davis). Screenplay: Hugo Butler, assisted by Giorgio Prosperi. Screenplay: Roland Kibbee and James R. Webb, based on an original story by Borden Chase. The Red Pony (1949, Republic) Directed by Lewis Milestone. ______, “Kiss Me Deadly: Evidence of A Style.” Reprinted in Silver, Alain and Ursini, James, editors, Film Noir Reader. Released: October 17, 1956 (Los Angeles). Distribution: MGM/UA. Cast: Burt Lancaster (Lawrence Dell), Richard Widmark (General Martin MacKenzie), Charles Durning (President David T. Stevens), Melvyn Douglas (Zachariah Guthrie), Paul Winfield (Powell), Burt Young (Garvas), Joseph Cotten (Arthur Renfrew). M (1951, Columbia) Directed by Joseph Losey.