Contributors, according to Duncan-Rees, to creating such an environment for co-production include relationships, permission to fail, being human and conversations. The service is relatively context-dependent and simply picking it up and moving it to another location, with another set of people, in another environment will not work. Living Labs and Community Reporting) and beyond (i.e. Such factors lead to a perception of this knowledge base as being hard to define and handle. [2] The success of the single also prompted Bananarama to return the favour and have Fun Boy Three sing on their next single, "Really Saying Something". As the practice is not as contextually dependent, it can be transferred more easily. You early adopters in CoSIE and beyond, keep the faith, the mass adoption will happen, if we continue pushing. “’Tain’t What You Do (It’s the Way That You Do It)” was released at the start of 1939. Some reissues of the album also include the "Just Do It" section as a separate track. Otherwise you can reload the original one and starting editing again. For practice to be accepted into the triangle, Blanluet calls for fellow practitioners to begin to “build better evidence”. Simply because we do not feel we have the frameworks for measuring, navigating or synthesizing this type of knowledge, should not mean we discount it. We can only maintain and improve Yalp if paying members keep supporting us. So, why does practice matter to co-creation processes and what is its place in CoSIE? Essentially, these areas are in a symbiotic relationship; one will simply not work without the others. Terry Hall of Fun Boy Three owned a copy of Bananarama's previous single "Aie a Mwana", and after seeing an article about the trio in The Face, he decided he wanted them to sing background vocals on the song, solely based on the fact that he liked their look. Please disable ad blocker to use Yalp, thanks. With the title slightly altered to "It Ain't What You Do....", it was recorded by Fun Boy Three and Bananarama, and was included on the former's self-titled debut album, but it was not available on a Bananarama album until 1988's Greatest Hits Collection. Maybe that’s a subject for a later blog… Looking beyond our project, there are plenty of innovative and challenging practice-based and informed work to explore. Diagram 3: Co-creation and replicability iceberg. In fact, as my Nan would say – “it’s as old as Adam”. ++ The first 2:52 of the 12" version is the standard album version of the song, which is different from the 7". What are people’s experiences of services and how does that shape professional understanding? The "shim sham" is often danced to the Lunceford recording of this song. Song's chords D, A, B, E, F♯m, Bm, F♯, G, C. Create your free account in 10 seconds and access all song's chords, or login. Preoperative skin antisepsis - it ain't what you do but the way that you do it. Implementation: 1.12.2017- 30.11.2020 It was first recorded in 1939 by Jimmie Lunceford, Harry James, and Ella Fitzgerald, and again the same year by Nat Gonella and His Georgians. You can upload an mp3 to analyze chords and separate instruments tracks only with a Premium account. - Yalp info@cosie-project.eu MIDI file has been generated, click the button and download it. Author information: (1)Ecolab Deutschland GmbH, RD&E HC EMEA, Monheim am Rhein, Germany. Writer: Hayley Trowbridge, People’s Voice Media, www.cosie-project.eu It was first recorded in 1939 by Jimmie Lunceford, Harry James, and Ella Fitzgerald, and again the same year by Nat Gonella and His Georgians. If you take the time to look around you or even in the mirror, you’ll probably see them. The "shim sham" is often danced to the Lunceford recording of this song. The "shim sham" is often danced to the Lunceford recording of this song. You reached maximum number of songs you can transcribe with Yalp Free. “It ain’t what you do, it’s the way that you do it” which is key to transferring the learning from CoSIE and creating a wider, more systematic impact. This largely attitudinal change to what types of information ‘matter’ has started, it is here – it just needs to grow. The jazz tune was transformed into a pop song with ska elements in 1982. In doing so, this approach builds things from the ground-up, making sure they are fit for the context in which they are being located.